METAL MANTIS

A bioluminescent specimen suspended somewhere between insect, machine, and preserved anatomy.

The Dahlia MK2. Metal Mantis Ver. takes the original Dahlia platform and pushes it into more alien territory through translucent glow silicone, metallic surface finishing, and a hardened outer shell inspired by predatory insects and deep-sea bioluminescence.

Cast in thick glow-infused Dragon Skin silicone, the base mask emits a strong internal glow capable of bleeding visibly through the outer shell structure itself, creating a subtle irradiated effect beneath the armor plating. The shell mask is finished by hand using layered translucent lenses, weathering, and cosmetic detailing to create an aged bone-like surface with organic tonal variation rather than a flat painted appearance.

The sculpt draws inspiration from the reflective exoskeletons, pale translucency, and unnatural beauty found in insects, deep ocean life, preserved specimens, and biological decay.

Each piece includes:

• Thick glow-infused Dragon Skin silicone cast
• Hand-finished metallic detailing and weathering
• Custom mantid-inspired hard shell mask
• Impact-resistant shell construction with slight flex
• Black steel mounting hardware
• Upgraded semi-adjustable leather strap system
• Steel O-ring hardware detail
• Black steel holster screw assembly

Unlike the standard Dahlia strap configuration, the Metal Mantis Ver. features an upgraded hybrid harness system designed to be adjusted once to the wearer’s fit. After initial adjustment, the elasticity of the silicone allows the mask to slip carefully on and off while maintaining a secure fitted feel during wear.

After being charged by natural sunlight, or a bright light source, the glow effect remains visible beneath the shell even through the thickness of the outer mask, creating a low illuminated presence in darkness rather than a bright novelty glow.

No two pieces will weather, glow, or finish exactly the same.

Designed as a wearable artifact for collectors, performers, photography, film work, and those drawn toward biological horror, experimental design, and preserved specimen aesthetics.